Jog has a post about the recent Air Gear controversy, in which he reflects on fans complaining about a bit of dialogue being altered in a book that shows four women (three underage) naked in the shower.
The quest for authenticity and the demands of fans and the power of success has lead to a new status quo, where plastic-wrapped books can indulge in such eyebrow-raising antics for better or worse, and still somehow prompt a minor controversy over tiny alterations. Wild days.
Well worth a read.
ANN has a brief interview with Kaoru Mori, the manga-ka of Emma.
Lyle wonders why Tokyopop is accused of flooding the market with manga when Viz releases just as many books.
Remember Mangaquake, the UK manga anthology that had to pull an issue because the cover turned out to be stolen art? They have re-released that issue, with a new cover.
Yaoi-Con 2006 announces its schedule.
The Nichi Bei Times (“Japanese American news since 1946”) takes a look at global manga. (Via Manganews.)
ChunHyang72 appeals to readers and fans to save CLAMP no Kiseki.
Volume 2 of Mark of the Succubus is due out this fall, and editor Lillian Diaz-Pryzbyl has some fun facts.
It’s a plot point that Maeve has gawdawful fashion sense.
Glad to hear it isn’t intentional. Also that Lillian quickly scotched one of the proposed titles for the series, “Get on the ‘Bus.”
Mangapunk takes a dim view of Borders manga buyer Kurt Hassler moonlighting as a manga-ka:
While Borders is a great avenue to sell manga, they only have so much shelf space to devote to all the Manga and Graphic Novels out there. So it’s very important to a company to get their titles onto that limited shelf space. So not only is Mr. Hassler able to fill those shelves with his manga he can also fill those same shelves with manga from the companies that gave him publishing jobs.
And even if that isn’t happening, there certainly is the appearance of a conflict of interest.
Tokyopop editor-in-chief Rob Tokar pimps Afterlife.