Working with limits

I’ve mentioned the shoujo manga show at Chico State a couple of times, and it seems to be generating some interesting articles. Art professor Masami Toku, who is definitely enjoying her 15 minutes of fame, provides some interesting historical perspective for the Chico News and Review. Fun manga fact: the word “manga” was coined by the Japanese printmaker Hokkusai. And here’s Toku’s description of how manga evolved, and the influence of circumstances on style:

After the war, there were no toys, nothing. No entertainment for kids. After World War II, we were so decimated. No reading, no movies. Modern manga was developed to entertain the kids.

Most pages [in manga books] were black-and-white, on cheap paper. Maybe only the cover and the first two pages were in color. Artists had to develop a style with limitations. The “black-out” of hair signified Asian people; the “white-out” hair meant Western people. The “huge eye” of modern manga came about because they had no color [to use] and the artists had to enlarge the eye to depict beauty. Kids learned to read these visual images.

It’s often interesting to see how the limitations of a medium shape its content. In this case, the style has lingered even though the technology has improved.

About Brigid Alverson

Brigid Alverson has been reading comics since she was 4. After earning an MFA in printmaking, she headed to New York to become a famous artist but ended up working with words instead of pictures, first as a book editor and later as a newspaper reporter. She started MangaBlog to keep track of her daughters’ reading habits and now covers manga, comics and graphic novels as a freelancer for School Library Journal, Publishers Weekly Comics Week, Comic Book Resources, the Barnes & Noble Sci-Fi & Fantasy Blog, and Robot 6. She also edits the Good Comics for Kids blog at School Library Journal. Now settled in the outskirts of Boston, Brigid is married to a physicist and has two daughters.
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