Busy signal

GoComics is bringing manga to your cell phone (one more way to while away the time while I’m driving) and for dinosaurs like me (“In my day, all we did was talk on our phones…”) they have a demo up on their website. It’s a nifty idea, and it would be even better if it actually worked. I’m not sure if it’s me or them, but I tried with Safari and Firefox and couldn’t get it to go. And yes, I have Flash/Java/whatever enabled.

Technical glitches aside, this comment in their press release bothered me a bit:

GoComics Books presents comics in a panel-by-panel format for quick viewing and a simple interface that offers a great user experience.

I know they’re just adapting the originals and “optimizing” them to work better on a cell phone, but it also loses one of the most important aspects of comics: the way the frames are arranged on the page, and the relationship of the panels to each other. To see what I mean, check out this series on timing in comics by Roadsong artist Joanna Estep. All that is lost on the cell phone.

I doubt that cell phones will ever replace dead-tree manga, but I hate to see the good stuff get diluted. Sigh.

About Brigid Alverson

Brigid Alverson has been reading comics since she was 4. After earning an MFA in printmaking, she headed to New York to become a famous artist but ended up working with words instead of pictures, first as a book editor and later as a newspaper reporter. She started MangaBlog to keep track of her daughters’ reading habits and now covers manga, comics and graphic novels as a freelancer for School Library Journal, Publishers Weekly Comics Week, Comic Book Resources, the Barnes & Noble Sci-Fi & Fantasy Blog, and Robot 6. She also edits the Good Comics for Kids blog at School Library Journal. Now settled in the outskirts of Boston, Brigid is married to a physicist and has two daughters.
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One Response to Busy signal

  1. David Welsh says:

    There’s also a great series of articles on manga design at telophase’s livejournal (http://telophase.livejournal.com/113219.html#cutid1), and I particularly like this one on panel flow and page composition: http://telophase.livejournal.com/91840.html. It’s a really great illustration of what might be lost if you only see the cut-up components.

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