Perspectives from all over

Yesterday, PWCW published an article I wrote about Mark Crilley, the creator of Miki Falls. At one point in our interview, Crilley commented that “For this generation, comics are manga.” Over at The Engine, Svetlana Chmakova asks whether that is so, and Warren Ellis and Emma Vieceli weigh in with their thoughts. I like what Emma had to say:

What I find especially funny is watching all of the old skoooool manga ‘fans’ who used to sit there moaning about how no one recognises how awesome manga is…and now they sit there complaining because too many people are reading manga and it’s not special any more.
You really can’t please everyone. ^_~

Elsewhere, an American translator living in Japan conjures up an interesting mental picture:

I have this idea that somewhere in Japan there is a guy who thinks the Fabulous Furry Freak Brothers are the greatest artistic product ever to come out of the USA and is waiting anxiously for the next fan-translated issue to hit the underground comic store.

The rest of the post is about anime, but that really tickled me, all the more so because I’m a longtime fan of Phineas, Freewheeling Franklin, Fat Freddy, and, of course, Fat Freddy’s cat.

There’s lots of manga goodness in this week’s PWCW: Ed Chavez takes a look at Comiket, the largest comics convention in the world:

As one Comiket volunteer observed, “Comiket is like a living version of Web 2.0, where interaction between creators of content and end users happens in real-time face-to-face.”

While fan-made comics are huge (there are 956 Prince of Tennis doujinshi circles!), it’s interesting to note that professional creators take part as well, and that, for instance, Fumi Yoshinaga has continued Antique Bakery as doujinshi. And now that manga is a global phenomenon, even Marvel’s Civil War gets the doujinshi treatment. At Hesei Democracy, Shingo has more, including photos. (Via Icarus.) And Giapet notes an incident with a political spin.

Also at PWCW: Kai-Ming Cha looks at Udon’s planned manhwa line and interviews Only the Ring Finger Knows creator Satoru Kannagi.

Even though it’s a lean week for new releases, David Welsh finds plenty to like about this week’s new comics.

At Completely Futile, Adam Stephanides links to some spoilery commentary about the latest volume of Fruits Basket.

Over 18 department: At Icarus, Simon Jones has the manga list from the September Adult Previews.

Reviews: At Comics Worth Reading, Rob Vollmar reviews vols. 1-3 of To Terra. Julie reads vol. 18 of Red River at the Manga Maniac Cafe. At Anime on DVD, Ron Quezon has mixed feelings about vol. 1 of Recast. Bill Sherman reviews vol. 1 of Parasyte at Blogcritics. Michael Aronson checks out Yume Kira Gift Shoppe at Manga Life. At Precocious Curmudgeon, David Welsh enjoys vol. 2 of Gin Tama. Miranda posts a short but positive review of Only Words at Prospero’s Manga. At Manganews, Kiara reviews vol. 1 of Stray Little Devil. Holly Ellingwood reviews vol. 5 of Loveless at Active Anime.

About Brigid Alverson

Brigid Alverson has been reading comics since she was 4. After earning an MFA in printmaking, she headed to New York to become a famous artist but ended up working with words instead of pictures, first as a book editor and later as a newspaper reporter. She started MangaBlog to keep track of her daughters’ reading habits and now covers manga, comics and graphic novels as a freelancer for School Library Journal, Publishers Weekly Comics Week, Comic Book Resources, the Barnes & Noble Sci-Fi & Fantasy Blog, and Robot 6. She also edits the Good Comics for Kids blog at School Library Journal. Now settled in the outskirts of Boston, Brigid is married to a physicist and has two daughters.
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4 Responses to Perspectives from all over

  1. Tina says:

    and now they sit there complaining because too many people are reading manga and it’s not special any more.

    Guilty as charged—at least when it comes to BL.

  2. Chloe says:

    Manga is comic fandom 2.0? Eh, I’ve always seen them more as coexisting factions with some overlap. But hey, there’s plenty of similar origins in there, so who knows, maybe it’s all just plugging towards the same destination?

  3. Pingback: Journalista - the news weblog of The Comics Journal » Blog Archive » Aug. 23, 2007: We make our own future!

  4. Ed says:

    Chloe,

    Comiket is like web 2.0 not manga. Comiket allows for original user content as well as content based off the extisting pool of ideas entirely created by the end user community. Furthermore the large size of the event allows for great interaction between creator and fan and it also gives a good sample size for what is popular among fans and creators. Manga, published manga doesn’t allow for much ease in either. Its hard to meet Yoshinaga Fumi in any other context. And it can take weeks or months to find out what the next Naruto or Furuba is.

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