Review: Japan Ai: A Tall Girl’s Adventures in Japan

Japan Ai: A Tall Girl’s Adventures in Japan
By Aimee Major Steinberger
Rated T for Teen, 13+
Go!Comi, $16.99

Japan Ai is Aimee Steinberger’s charming sketch diary of her trip to Japan with two female friends. Written in a cheery, casual tone, it’s more quirky personal story than travel guide, but it includes plenty of useful information like maps of shopping districts, addresses of stores and attractions, and a glossary of useful terms.

Steinberger is an animator who has worked on The Simpsons and Futurama, as well as for Disney and Warner Brothers. She’s also a dedicated cosplayer and doll enthusiast who is particularly obsessed with the dolls made by the Japanese company Volks. When she asked the Volks people for an interview, they replied by inviting her to visit their company as their guest. Seizing the moment, Steinberger drafted two friends to join her and designed a tour of Japan around her favorite obsessions, with trips to the temples of Kyoto, an onsen (hot springs), two Takarazuka musicals, and lots of stores catering to the cosplay-obsessed. The trip culminated with her visit to the Volks factory, where she designed her own doll and “adopted” it in an elaborate ceremony.

The book is light-hearted enough to be read by anyone who picks it up, but manga readers will find it particularly entertaining because Steinberger sees Japan through a fangirl’s eyes: she interrupts her description of a temple to note that Rei from Sailor Moon and Kikyo from InuYasha were temple maidens; she visits an onsen, just like the characters in Fruits Basket; and she watches the Takarazuka stage adaptation of Rose of Versailles. Side notes and a glossary in the appendix help keep the book from being too esoteric for newcomers, and Steinberger doesn’t present herself as a know-it-all otaku; she takes the wrong train, eats the wrong foods, and mistakes a sex shop for a costume shop. Her occasional miscues, and her willingness to laugh at them (and her height) add considerably to the book’s charm.

Steinberger draws Japan with economy and skill. Her simple line drawings are remarkably expressive, and she can sum up a complicated scene, including emotions, in just a few lines. That’s the sort of art that looks easy but really isn’t. And her enthusiasm really shines through in her sketches ostreet fashion.

Another thing I love about this book is that Steinberger is so comfortable in her own skin. She’s not self-conscious about her unusual hobbies, and it’s nice to see her and her two female friends having fun on their own, with a minimum of angst and no boys in sight. There need to be more girls’ books like that.

Go!Comi is known for producing good-quality books, and they pulled out all the stops for Japan Ai: high-quality paper, color plates, beautifully designed and produced cover. (OK, it’s a very pink cover, but it’s still gorgeous.) Extras include a glossary and an appendix with sources more information about travel in Japan and the specific sites mentioned. Steinberger has said in interviews that the Go!Comi editors were heavily involved in shaping the book, which she was originally planning to self-publish; one cute touch is that everyone involved listed their height alongside their names on the book’s copyright page. You can see a huge sample of the book, plus some deleted scenes at their website. (Warning: Clicking on Japan Ai makes the whole site go pink.)

Steinberger’s conversational tone, self-deprecating humor, and beautiful drawings make Japan Ai a great read and a wonderful gift for any Japan enthusiast.

(This review is based on a complimentary copy provided by the publisher.)

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Manga: More satisfying than spandex?

PopCultureShock has come up with an interesting tool: ComicRankings, which collates comics reviews from around the blogosphere and ranks comics, creators, and publishers accordingly. The top-ranked publisher is Del Rey, followed closely by Viz; Dark Horse is fourth and Tokyopop is number seven. DC and Marvel show up in 8th and 9th places, although the difference in points isn’t huge. Interestingly, though, no manga or mangaka show up in their charts of the best and worst comics and creators.

ICv2 has a three-part interview up with Dark Horse CEO Mike Richardson; here is the part where he talks about manga. Here’s an interesting nugget to get you started: He tried hard to get the license for Fruits Basket but was turned down because DH didn’t seem like the right kind of company. Were they just too manly for Tohru Honda? (Probably not, as they will be publishing vol. 2 of Red String this month.)

Julie pulls out the manga from the January Previews. David Welsh thumbs through it as well, but the only manga he picks up on is the last volume of Dragon Head.

Christopher Butcher has beautiful photos of his visit to the Osamu Tezuka Manga Museum in Takarazuka, and he throws in bonus pix of the statues of the Takarazuka Revue.

Ed Chavez has two side dish podcasts up at MangaCast, one about the seinen magazine PLAY Comic and the other about the gekiga title Weekly Manga Sunday.

At Manga Xanadu, Lori takes the first step: She admits she’s addicted to manga. Click for devastating photos of overstuffed bookshelves.

I’m afraid Deb Aoki is only going to make it harder for Lori: She lists 11 ways to feed the beast without breaking the bank and the most-anticipated manga of 2008 at About.com. And she updates the top ten manga trends for 2008, plus an interesting non-trend—very little manga for children.

Size matters, says Simon Jones, but proportions matter even more. Simon points out that the new omnibus editions are bigger than standard American manga but not really in proportion to the Japanese editions, which can lead to some glitches.

There’s more Manga Zombie at ComiPress; this time it’s a profile of Ishihara Gojin.

Lianne Sentar sticks up for Death Note at Sleep Is For the Weak.

Erica Friedman writes about her trip to Japan for Winter Comiket at Okazu.

A Florida paper profiles an aspiring Christian manga-ka. And here’s the latest Manga 101 article, this one from Fairbanks, Alaska.

At Blog@Newsarama, Chris Mautner asked a number of eminent critics, plus me, what was their favorite review of 2007. All the results should be well worth reading.

Reviews: Wilma Jandoc looks at two Christian-themed manga, Pilgrim Jager and Cross, at the Honolulu Star-Bulletin. Kethylia has good things to say about vols. 1 and 2 of Mushishi. At Manga Jouhou, Kurishojo reviews vol. 1 of Alive: The Final Evolution and vol. 4 of Passion, and Anne checks out vol. 1 of Poison Candy. At Soliloquy in Blue, Michelle enjoys vol. 1 of Boys Over Flowers and vol. 10 of Hikaru no Go but doesn’t care much for the Japanese vol. 1 of The Moonlight That Surrounds Me. Mangamaniac Julie checks out vol. 1 of Words of Devotion at MangaCast and vol. 20 of Red River at the Manga Maniac Cafe. Connie reviews vol. 2 of Heroes are Extinct, vols. 1 and 2 of Real/Fake Princess, vol. 9 of Law of Ueki, vol. 9 of Sgt. Frog, vol. 20 of Cheeky Angel, and vol. 5 of Kurosagi Corpse Delivery Service. Billy Aguiar reviews vol. 1 of Monochrome Factor for CBGXtra. Kevin Tan looks at The Best of Pokemon Adventures: Yellow at The Star of Malaysia. Katie Haegele reviews vol. 1 of Gakuen Alice for the Philadelphia Inquirer. Emily checks out Pikka Pika Venus! at Emily’s Random Shoujo Manga Page. At Active Anime, Holly Ellingwood reviews vol. 1 of Wild Ones, vol. 2 of Kurohime, and Garden Dreams. John T looks at vol. 3 of MPD-Psycho at Mecha Mecha Media. Jog reviews vol. 12 of Golgo 13.

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Quick links

Undertown is the latest Tokyopop global manga to be morphed into a newspaper strip. ICv2, which mistakenly calls it “Uglytown” (Freudian slip?) notes that it was also picked up by Scholastic.

It’s an Overlooked Manga Festival Special Event: Shaenon Garrity lists the best out-of-print manga.

Lyle Masaki has an interesting essay on the women of Death Note.

Tom Baker covers Comiket for the Daily Yomiuri.

Beyond the Beyond is winding up in Japan, while Violinist of Hameln is restarting and Saki Okuse, creator of Twilight of the Dark Master, is launching a new manga.

John Jakala discovers a Sgt. Frog cosplay contest with some tempting prizes.

They are sequential art, and they are still funny after all these years, but the Choju Giga scrolls really aren’t the first manga, says the Daily Yomiuri.

The Same Hat guys post some pictures of stripe-loving horror manga-ka Kazuo Umezu on the set of his movie Orochi.

David Welsh talks about publishers whose books are hard to find in chain bookstores.

The Yaoi Review looks forward to some new releases for January.

Reviews: Chris Mautner reviews a stack of manga, from MW to Gakuen Alice. Dan Grendell has more brief reviews at Comic Pants. And Melanie files the Monday Manga Reviews a bit late at About Heroes. Tiamat’s Disciple finds vol. 1 of Phantom quite forgettable. John T delves into the fanservice-fest that is vol. 1 of My Dearest Devil Princess at Mecha Mecha Media. At Slightly Biased Manga, Connie reviews vol. 19 of Cheeky Angel, vol. 1 of Offered, vol. 3 of My Heavenly Hockey Club, vol. 5 of After School Nightmare, RIP: Requiem in Phonybrian, and vol. 1 of Warriors of Tao. Nick gives Socrates in Love an A+ at Hobotaku. At the Manga Maniac Cafe, Julie checks out vol. 1 of Magical JxR and vol. 2 of D. Gray-Man. At Active Anime, Rommel Salandanan reviews vol. 1 of Megami Deluxe, Sandra Scholes reads vol. 1 of Gerard & Jacques, and Christopher Seaman thumbs through The Manga Bible. Miranda reviews the ultimate edition of The Demon Ororon at Prospero’s Manga. Lianne Sentar posts a thoroughly enjoyable review of vol. 1 of Suppli at Sleep is for the Weak. Tom Baker reviews Parasyte for The Daily Yomiuri. Sean Kleefeld weighs in on vol. 4 of Bizenghast. (Via Journalista.) Jarrett Keene reviews MW for Las Vegas City Life.

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PR: Viz introduces Vizbig imprint

Viz gets on the omnibus bus in a big way. Vizbig editions have a slightly larger trim size than standard manga and put three of the original volumes together in a single book, together with bonus content like color pages. The idea is to bring in new readers for their older series, like Rurouni Kenshin and Dragon Ball. Read on for the details.

VIZ MEDIA BRINGS NEW PERSPECTIVE TO MANGA ARENA WITH DEBUT OF VIZBIG EDITION IMPRINT

New Imprint To Offer Omnibus Editions Of Popular Manga Series With New Cover Art, Color Pages And Bonus Content

San Francisco, CA, January 3, 2008 – VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, brings a new perspective to the manga marketplace with the launch of a new imprint called VIZBIG Edition. The new imprint will release omnibus editions of top-selling manga series in a larger 5-3/4 x 8-5/8 size (larger than the standard 5 x 7-1/2 manga) with special premium presentations including new cover art.

RUROUNI KENSHIN will be the first series to receive the VIZBIG Edition treatment this month, with DRAGON BALL and DRAGON BALL Z set for May release and Takehiko Inoue’s VAGABOND will follow in Fall of 2008. These VIZBIG Edition titles have an anticipated initial cover price of $17.99 and will be released quarterly. Several other titles are also presently being considered for future VIZBIG Edition publication.

Each debut VIZBIG Edition will contain the first three volumes of the original graphic novel series presented with larger trim size, bonus color pages and added content such as author interviews, updated text and character art. The new editions serve as ideal comprehensive introductions for new readers to some of manga’s best-known titles, and a great way for seasoned fans to see their favorite titles in a new perspective.

RUROUNI KENSHIN, the internationally bestselling series created by Nobuhiro Watsuki, depicts the adventures of Himura Kenshin, a “rurouni,” or wandering samurai, who was once an assassin of ferocious power but now fights to protect the honor and safety of those in need. The story, set during the Meiji era of Japan during the 1800s, has been adapted into a hit anime series, three films and several novels. This title was also the first manga to be placed on the notable USA TODAY top 150 list.

DRAGON BALL and DRAGON BALL Z, created by Akira Toriyama, are universally recognized as modern manga classics. With a unique blend of martial arts, science fiction and memorable characters, they update the classic Chinese legend of the Monkey King. DRAGON BALL follows the life of a monkey-tailed boy named Son Goku in a 16-volume series that has since become one of the most successful manga properties ever created. Goku’s life changes when he meets a girl named Bulma and sets out to help her gather all seven Dragon Balls, which are scattered all over the world. If all seven are gathered, a powerful dragon will appear and grant one wish. The 26-volume series sequel, DRAGON BALL Z, picks up when Goku has grown up. Earth’s ultimate warrior now has a son named Gohan who is even more powerful than his father. Together they use
martial arts and other powers to battle time travelers, aliens, deities and the mighty Super Saiyans to save the universe. DRAGON BALL and DRAGON BALL Z together have sold more than 500,000 copies in North America and the 400+ episode anime series was a consistent ratings winner on Cartoon Network.

Also coming out in a VIZBIG Edition in September 2008, VAGABOND is an action-packed portrayal of the life and times of the quintessential warrior-philosopher—the most celebrated samurai of all time! Striving for enlightenment by way of the sword, Miyamoto Musashi is prepared to cut down anyone who stands in his way.

Alvin Lu, VIZ Media Vice President, Publishing, is excited about the debut, saying, “VIZBIG Editions are more than just an alternative format to read your favorite manga — with full color pages, eye-opening larger trim size, and a premium presentation – they change the very experience of reading manga. For fans of these series, they are a great opportunity to relive their favorite stories from a completely new perspective, and for new fans, this is a great way to jump in and quickly get up to speed on what everyone’s been talking about – the world-renowned stories and characters behind RUROUNI KENSHIN, DRAGON BALL, and DRAGON BALL Z.”

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New year, new comics

Same Hat! Same Hat!! has a comprehensive roundup of 2007, including their top ten, as well as a look forward at the year to come.

David Welsh looks at this week’s new manga and decides it’s a pretty good week after all. And the MangaCast folks make their very opinionated picks.

Manga Xanadu looks at the Kindle e-book reader and considers how it might fit into the manga marketplace.

Tiamat’s Tokyopop website woes continue and increase. It sounds like the web folks need to do some fine-tuning.

Tokyopop is hiring.

Reviews: Matthew Brady is bullish on vol. 4 of Monster. Michelle gives vol. 25 of Basara, a series she has consistently enjoyed, an A+ at Soliloquy in Blue. Tangognat gets a kick out of vol. 1 of Hikkatsu. At Prospero’s Manga, Ferdinand sees too much of the same old same old in vol. 1 of Short Sunzen! Anime Punk Joey has high praise for vol. 1 of MPD-Psycho at Manga Punk. Julie checks out vol. 1 of Ai No Kusabi: The Space Between and vol. 4 of Nosatsu Junkie at the Manga Maniac Cafe. Rob Vollmar reviews Apollo’s Song at Comics Worth Reading.

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Something we can all agree on: Dragon Head

The year-end roundups continue, and manga is getting some love on the general-comics lists. At PLAYBACK:stl, Jason Green includes Sugar Sugar Rune and Adam Warren’s Empowered in his top ten. Dick Hyacinth has a cascading series of lists that includes Tezuka’s Phoenix: Sun (top ten), Tekkonkinkreet, New Engineering, and Dragon Head (next ten), and Reptilia (books that deserve more attention—paging David Welsh!). Sean Collins includes Dragon Head as the odd manga out in his top 15 comics.

On the other hand, it’s not too surprising that Dave Ferraro, who reads a lot of manga, would include so many in his top 20: Emma, MW, Dragon Head, Yotsuba&!, Nana, Apollo’s Song, Andromeda Stories, and Gyo. That’s a lot of range right there.

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