Hard times in Wanganui

The Wanganui Chronicle of New Zealand reported a couple of days ago that one Julie Gordon, described as a “mother of five and secondary school teacher,” checked out an allegedly dirty manga from a local library. (Dirk quickly figured out that the book in question is Chobits.) Ms. Gordon’s hobby seems to be checking books out of the library and bringing them to the local censorship office for classification; she has taken four books down there so far, and the office rated three of them 13+ and one 16+.

Ms. Gordon wants the library to stop carrying 16+ graphic novels and to put in place a procedure for members of the public to censor any books they wish to. In a followup article, a local administrator says that’s not the library’s job and gives Ms. Gordon the brush-off. It’s not that simple, though. Apparently, once a book is officially classified, the library has to restrict access to it.

Books with a classification were not publicly accessible in the library and anyone wanting a book carrying an age classification would have to ask staff for it.

And those borrowers would also be asked to show some form of identification.

So that puts Chobits off limits to, let’s face it, most people. There’s a big difference between putting a book on a shelf for a teenager to find and then check out (accompanied by a big stack of other books) and forcing that teenager to 1. find out that the book exists and 2. ask a grownup to fetch it. You might as well just burn the books. Ms. Gordon’s petition asks the library to submit any book questioned by a member of the public to the censorship office for classification, which in practice means that any questionable book can be locked away from the prying eyes of the littl’uns—and, incidentally, almost everyone else.

Since almost all manga has at least a 13+ rating, and anyone can bring a book to the censorship office, it’s possible that people like Ms. Gordon can basically sweep all the manga off the open shelves in New Zealand libraries.

Incidentally, the censorship office website allows you to download spreadsheets of censored books and their ratings. And there, sure enough are volumes 1 and 2 of Chobits, rated R13, which means, as far as I can tell, that they can’t be lent to children under 13. Ghost in the Shell is unrestricted, though.

And why on earth is The Limericks of Aleister Crowley rated “Indecent in the hands of persons other than Tony Hutchins”? Is that a real rating, or are they just checking to see if anyone is paying attention?

Thanks to David Welsh for leading me to the followup story.

Posted in Mangablog | 7 Comments

Thursday's random links

MangaCast checks out this week’s new comics, and Ed gives a peek at the e-mail discussion so we can experience the deliberations for ourselves.

Vol. 16 of Fruits Basket slips from number 15 to 38 on this week’s USA Today Booklist.

David Welsh is looking for some good shoujo manga, and his commenters come through with plenty of suggestions.

At the Tokyojupiter blog, Reika discusses the genius of Chika Shiomi, creator of Canon and Night of the Beasts.

Studioqt has a nice demo of what’s involved with retouching sound effects. (Found via Sporadic Sequential, which is currently rather NSFW further down the page, as he’s having a celebration of wangs in manga. It’s yet another department in which our medium does better than the superheroes.)

Lyle has a question: Does anyone read the Australian magazine DNA? Because this month’s issue has the cover line “Stop! My *** is hurting! Why manga is sooo gay” and he wants to know what that’s all about. (Yaoi?)

I seem to have come in in the middle of this, but Digit magazine has a tutorial up on drawing manga on the computer.

People on the move: Peter Tatara, former marketing manager for Central Park Media, will be the programming manager for the New York Anime Festival.

Does DrMaster put out a press release for every volume they release? Here’s the PR on vol. 2 of Junk and vol. 4 of Stray Little Devil.

Reviews: The BasuGasuBakuhatsu Anime Blog checks out vol. 2 of Welcome to the NHK, vol. 1 of Stellvia, and vol. 1 of D.Gray-Man. AoD’s Danielle Van Gorder reviews vol. 1 of Millennium Snow. At the Mangamaniaccafe, Julie has vol. 9 of Kekkaishi propped up on the salt shakers. Erica Friedman reviews the yuri short story collection HaruNatsuAkiFuyu at Okazu. Comicsnob Matt Blind reviews the manga version of Hamlet and vol. 1 of Time Guardian. At Manga Life, Dan Polley reviews vol. 5 of Megatokyo, vol. 10 of Gals! and 12 Days.

Posted in Mangablog | 2 Comments

Eisner followup, con reports, and more!

David Welsh puts on his reporter’s hat for this week’s Flipped column and interviews several Eisner nominees, and Eisner judge Robin Brenner, about this year’s nominations. And over at Precocious Curmudgeon, he looks at this week’s new comics list through Eisner-tinted glasses.

The Manga Draft goes multimedia at MangaCast, with podcast and written reviews and plenty of scans from a truly meta manga, King of Editors.

I totally missed the first iteration of this, but apparently this post by Tom Brevoort, Executive Editor for Marvel, rubbed some folks the wrong way when he described the comics market as being dominated by two publishers, Marvel and DC. He came back yesterday with a followup post explaining the obvious, that the Big Two and manga don’t compete for creators or readers; they are really in different universes (so to speak). Johanna and her commenters post some excellent responses at Comics Worth Reading.

Erin F has posted her Anime Boston report, with photos, at PopCultureShock.

Ryan and Evan have an APE followup post at Same Hat, in which they defend their mini-comic and show off their loot.

Translator Satsuma wraps up vol. 2 of Murder Princess, the final volume, and asks a question about My Neighbor Totoro.

At the Rush blog, Lara Yakashma offers a sneak peek at her art for the upcoming issue.

Reviews: They’re having a bad manga day down at Prospero’s Manga, where Miranda gives vol. 1 of Mamotte! Lollipop a dishonorable mention, for ignoring basic biology, among other things, and Ferdinand delivers a solid pounding to vol. 1 of The Gentlemen’s Alliance +. AoD’s Danielle Van Gorder is considerably kinder to the one-shot Calling You, and the gang has also put out another set of Small-Bodied Manga Reviews. At Active Anime, Holly Ellingwood gets an advance look at vol. 3 of Princess Princess. Julie gives vol. 3 of Penguin Revolution a C+ at Mangamaniaccafe. Bill Sherman reviews vol. 1 of Yakitate!! Japan for Blogcritics.

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New manga numbers

Because some manga sell well in bookstores and others in comics stores, it’s hard to get an overall picture of the market. But ICv2 has probably the best approximation, as they compile sales figures from Bookscan (bookstores) and Diamond (comics stores) into a single list of top manga properties for their quarterly Anime/Manga Guide. You have to buy the guide to get the top 50 properties list, but here’s the top ten:

1. Naruto
2. Bleach
3. Kingdom Hearts
4. Fruits Basket
5. Death Note
6. Full Metal Alchemist
7. Vampire Knight
8. Absolute Boyfriend
9. Loveless
10. Tsubasa

Now the analysis. Let’s start with anime, because ICv2 makes an important point: the number of anime releases is down sharply: 35% from this quarter last year, which in turn was a 20% drop from the year before. Whoever wrote this hedges a bit on the next point:

With the bulk of sales increasingly concentrated in a small number of titles, the decline in the number of anime DVD releases doesn’t necessarily translate automatically to a decline in sales, though it does provide indication that American anime companies are increasingly circumspect in their planning.

If sales are staying high, it’s because the anime publishers can do just as well selling a lot of a few properties as they can selling smaller amounts of many properties.

Manga seems to be more robust: Sales are up and so are releases.

Although sales of manga are also increasingly concentrated in the top properties, a number of new releases including Viz Media’s Vampire Knight (#7), Tokyopop’s Mugen Spiral (#24) and Viz Media’s Gentleman’s Alliance (#27) all made surprising inroads into the ICv2 Top 50 Manga Properties list.

Note that those “surprising” new releases are all shoujo. In fact, look back at that top ten list and you’ll see that every title on it is at least girl-friendly. Bleach, Naruto, and Fullmetal Alchemist may technically be shonen, but they all have a lot of female readers. And two of the top ten, Vampire Knight and Absolute Boyfriend, are Shojo Beat titles, as is The Gentlemen’s Alliance+ (memo to ICv2: check those titles!).

Sales numbers (as opposed to rankings) are hard to come by, but the ones I have seen show a top-heavy distribution. I’d bet that total sales of Naruto are three times the sales of Tsubasa, maybe more, and by the time you get to number 25 on that list you’re talking a tenfold drop.

So far, though, manga has stayed more diverse. Viz and Tokyopop release a lot of books, and they don’t seem to be dropping series in the middle. At the same time, we have a number of smaller publishers that seem to be able to keep their heads above water with fairly small lines. Perhaps the cost factor makes a difference here: I can buy three manga for the price of one anime DVD.

I also think that the audience is more diverse. Take another look at that top ten list: Don’t Bleach, Kingdom Hearts, and Absolute Boyfriend make strange bedfellows? They’re very different titles aimed at very different audiences, but not only are they doing well, they are probably read by the same people. My 14-year-old daughter reads eight of those ten titles (Kingdom Hearts is too young for her, and I won’t let her read Loveless, despite her protests). And she loved Mugen Spiral, too. Maybe manga readers are more willing to try new things within their medium. Whatever the reason, I’d rather have a couple thousand titles to choose from than a whole rack of a single series, no matter how good it is. So far, that doesn’t seem to be a problem.

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Creator Q&A: Bettina Kurkoski

Bettina Kurkoski is an artist who really loves her art—and her cats. Bettina is the creator of My Cat Loki, and she also does commissions and other art through her own company, Dreamworld Studio. I talked to her at Anime Boston about working with Tokyopop and the evolution of My Cat Loki.

Bettina grew up reading American comics like X-Men, then got a degree in illustration from the University of Massachusetts Dartmouth. She was a winner in the second Rising Stars of Manga competition for her sci-fi fantasy story, “Axis Lumen.” My Cat Loki is her first published series; volume 1 came out in July 2006.

MangaBlog: Are you working on volume 2 of My Cat Loki?

Bettina Kurkoski: I finished it at the end of March, and I’m just waiting for my editor to finish editing it. It should be out this summer.

MB: Some of the Tokyopop artists find the three-volume format challenging. How is it working for you?

Bettina Most of my stories that I had come up with ahead of time were epic type things. Trying to find a simple enough story to fit in the three volumes was a challenge. My Cat Loki was a simple story, so it was really easy to fit it into the three-volume format.

MB: When and how did you discover manga?

Bettina: I didn’t discover manga until after I discovered anime. I don’t think I started reading manga until Tokyopop started releasing it in Borders, so it was more mainstream releases. I actually unknowingly grew up watching anime in the 80s, with shows like Voltron, Force 5, like that. I didn’t know it was anime until later. In the 90s I discovered Akira. I was using it as a reference for an illustration studio class in college for a short story I was creating. That got me back into it.

MB: How did you come up with the idea for My Cat Loki?

Bettina: The original idea for the book was totally different from what it ended up being. It all started with a greeting card that we were selling in the frame shop I worked at. It was a picture of a Newfoundland with a gray cat flopped on his head. I loved it and wanted to find out the name of the cat, so I flipped it over and it was titled “My Cat Loki.” I thought that was a great title for a book. Loki started out as a were-cat—he did physically change from a cat to a cat-boy. He was the outcast of his family of cats. He was the only one in the litter who was a were-cat, the others were cat-cats, and they abandoned him because he was different from everybody else. Ameya was not as absent minded and silly as he is now. Ameya came along and took him in and was going to try to help him find his family. Loki was actually much older and legal age for doing some shonen-ai, so it actually was going to be a shonen-ai title. I changed it when I decided to dedicate the book to my own cat, who died when he was 21. It drastically changed form then, and I had a lot of help from my editor on really defining the concept and helping me make a more concrete storyline than what I had come up with after the original concept.

MB: How do you like working with Tokyopop?

Bettina: I couldn’t ask for a better editor than Lillian [Diaz-Pryzbyl]. She was coming to Anime Boston 2005 so I got together my information for her. We hit it off really well right away when we were e-mailing back and forth, talking about cats, and we both found out we had a cat by the same name: Jenny-Any-dots. It’s from Cats, the musical. It was like, “Oh my God, this project is meant to be!” We met in one of cafes in Plymouth and sat there and hashed it out, and we’ve been working ever since.

MB: Is it a collaborative process?

Bettina: I know I came up with a lot of information, little bits and pieces here and there, and she really helped to solidify it more than anything, because she knew where I was coming from, the death of a cat she absolutely loved, she definitely knew where I wanted to go with the book, which was a great asset in the creating it and making it so.

I have heard a lot of horror stories about what other creators have said, but I have had a really great relationship with Tokyopop. There are the occasional times that I’ll be a little pissed at something silly, but they have been really good with me.

MB: Are you thinking about your next story?

Bettina: I have discussed it with a few friends. It was one of those things where I said I have to create a new character, and the idea popped up in my mind. It’s solidifying more and more, which is really good.

Posted in Interviews | 2 Comments

MangaBlogCast is up!

This week: Special Eisners edition! Bringing you the world of manga plus the wit and wisdom of Jack—all in less than ten minutes! Links after the cut.

Eisners acknowledge manga

Eisner awards official site
Shaenon Garrity applauds the changes
Pata’s not so sure
Matt Brady takes the philosophical approach

Best-sellers in bookstores and comics stores

USA Today top 150 list
David Welsh looks at manga in the Direct Market

New titles watch

Diamond Previews for July and August at the MangaCast
Info on Summit of the Gods
Chloe is not impressed by CLAMP’s Kobato

Incoming

Review: Black Sun, Silver Moon
Review: Canon

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