Meta: Blogiversary reflections

Two years ago today, my husband showed me how to use WordPress and turned me loose with a blog of my own.

Nothing has been the same since.

MangaBlog was originally a sideline for what was supposed to be a Serious Project: A site for parents that gave specific information about content in manga, like the little blurbs next to movie ratings. But within a few days people had found MangaBlog and started commenting and linking, and blogging got to be so much more fun than counting curse words and panty shots that soon it took over completely. Anyway, now Tokyopop is doing the parental-information thing, so I don’t have to.

I have already had the best blogiversary present of all—meeting so many of you at NYCC last weekend. I’m lucky to be part of such a great community, and it was wonderful to meet face-to-face with so many of the the people who contribute to this blog in one way or another. The slugline says “an ongoing conversation about manga,” after all, and I can’t have a conversation all by myself (well, I can but it wouldn’t be pretty). So thanks for all your support, and keep on dropping in!

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Yen to publish manga magazine

Everyone else has been talking about it, but Kurt Hassler is doing it: Hassler told me today that Yen Press is planning to publish a manga anthology, probably beginning in 2008. The format: black and white, chapters of 6 to 8 stories per month, some additional editorial content, and yes, there will be ads.

“Were looking at taking worldwide content and putting it all together in a single magazine,” Hassler said. “So many magazines focus on specific types of titles or specific demographics or specific nationalities of creators. We really are looking to create more of a smorgasboard, if you will.”

The lead story will be Svetlana Chmakova’s Nightschool, but Hassler says he is looking at European, Japanese, and Korean titles as well. “We’re really casting a wide net for really good content and material and throwing it all together to satisfy a wide variety of audiences,” he said.

Hassler said the plan is to release tankoubons, or collected volumes, of the works that appear in the magazine, but he added that some stories may not run in their entirety in the magazine, while others may be featured only every other month. “It all depends on the needs of the individual property,” he said. “Not every license is the same.”

And there may be more: “A webcomic,” he said, “is within the realm of conversation.”

A number of manga magazines have failed over the past ten years, and some publishers have dismissed the idea as unworkable because of the large investment needed to start up a magazine, but Hassler was sanguine about the risks. “I see lots of magazines out there, yet somehow they deal with overhead costs,” he said. “I deal with our P and Ls [profit and loss statements] and I think we can make it work. What I’m looking at says this is actually viable.” Having the muscle of parent company Hachette behind him probably doesn’t hurt; Hassler said he has had “a significant conversation” with magazine group Hachette Filipacci but would not reveal further details.

We also talked a bit about Nightschool, which will likely debut in fall 2008. It’s the story of a school that runs night classes for vampires, demons, and a type of witch called weirns. The lead character is a weirn named Alex who enrolls in the school to look for her missing sister. Hassler said the title is slated for three volumes but could go longer if Chmakova is so inclined.

Yen has also announced four titles from Square Enix, including Spiral, a title that Tokyopop licensed and then dropped, and Zombie-Loan, by Peach-Pit. Here’s Hassler’s capsule description of the third title, Black God: “It’s a story about a young man who runs into a battle between the gods where he is injured, and a goddess, sort of to save his life, gives him her arm. He acquires half of her power and they have to team up to stay alive. Gorgeous art, very fast paced adventure story. It really sucks you in.” The last title, Alice on Deadlines, is about a shinigami (a death god) who gets in trouble for reading too much porn on the job and is sent to earth to be taught a lesson. “They plan on putting him into a skeleton, but somehow he ends up in the body of this gorgeous teenage girl who ends up getting put into the skeleton’s body,” Hassler explains.

UPDATE: PWCW had a story on Yen last week; I’m linking now in case you were as muddle-headed as I was and missed it the first time.

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NYCC linkage

I realize some people are sick to death of NYCC, so I’m gathering these links into a separate post.

You can listen to the audio of the Viz panel, which was pretty entertaining, at MangaCast.

Christopher Butcher completes his reflections on the con, including a nice writeup of the “Who Reads Graphic Novels” panel.

Anne Ishii of Vertical posts her thoughts after spending most of the weekend in the booth.

T Campbell, with whom I had the pleasure of sharing a table in Podcast Alley, reports on the webcomics panel.

Rivkah recounts her experiences.

And Tania del Rio turns her con experience into a webcomic.

UPDATE: The view from the other side of the fence. LOL!

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Friday morning links

Ed Chavez gives his take on Hachette’s purchase of the French publisher PIKA.

Manga markdowns at Tokyopop!

A South Korean manhwa-ga, Lee Won-Bok is accused of anti-Semitism over an educational manhwa called Monnara Iunnara (Distant Countries and Neighboring Countries) that contains statements like “The final obstacle to success is always a fortress called Jews” and “In a word, American public debate belongs to the Jews, and it’s no exaggeration to say that U.S. media are the voice of the Jews.” After news of the book caused an international stir, Lee apologized and said that she was not anti-Semitic but added that the statements in question are “commonly knowledge.”

ICv2 has more on the new titles announced by Viz at NYCC.

The Boston Phoenix has an interview with MIT professor Ian Condry, author of the new book Hip-Hop Japan: Rap and the Paths of Cultural Globalization, promoting the Cool Japan Project, which is on today and tomorrow at MIT and Harvard. I have contracted the traditional post-NYCC cold, but if I’m feeling better tomorrow I’m hoping to make it to the culture panel.

Newsarama’s Matt Brady interviews Zapt! writer Shannon Denton.

ChunHyang72, whom I had the pleasure of finally meeting at NYCC, links to all you need to know in her latest Manga Minute.

Shaenon Garrity’s Overlooked Manga Festival celebrates a sci-fi classic, Cyborg 009.

“Manga authority” Philip Brophy has an interesting take on Astro Boy:

“He was a mournful, existential figure, pondering: ‘Do robots have souls?’ and ‘Why do humans do what they do?'”

As opposed to the Wiggles, who are strictly Kantian. Or something.

The Hankyoreh looks at the Korean Comic Poptoon. I never heard of the title, but the article offers a lot to chew on. Apparently the adult comics market is in a slump in South Korea, and publishers are trying to figure out what to do about it. Their solutions—improving quality and showing off new cartoonists’ work in an anthology magazine—seem to be different from ours. Also, it’s interesting to read that one of the earlier titles took a nosedive when the government introduced a comic ratings system. (Via Journalista.)

Another manga publisher goes digital, and since you’re reading about it at Icarus comics, it’s gotta be porn. (Link is NSFW.)

The New Straits Times takes a look at the popularity of cosplay in Malaysia. And the Australian reports on collectors of Astro Boy memorabilia.

Melissa DeJesus, the artist of Sokora Refugees, has a new comic strip, which will be syndicated by King Features.

To celebrate her upcoming fourth blogiversary, Tangognat is giving us the presents: free manga.

Reviewage! At the Pittsburgh Tribune-Review, Jessica Severs has short takes on several Tokyopop titles, including those art books that feature the poetry of DJ Milky. One Of The Jones Boys reviews vols. 21 and 22 of Iron Wok Jan. Justine Larbalestier enjoys Ode to Kirihito. At Slightly Biased Manga, Connie is strangely entertained by Project X: Cup Noodle and vol. 4 of W Juliet. Manga Punk’s Sinn is not overly impressed by Juvenile Orion. Prospero’s Manga has witty takes (love the sluglines!) on vol. 1 of Get Backers and vol. 1 of Wild Adapter. Mangamaniaccafe gives a B+ to vol. 6 of Kamui. At Anime on DVD, Sakura Eries is lukewarm about vol. 1 of Kitchen Princess. Comicsnob’s Matt Blind checks out vol. 3 of Air Gear and vol. 3 of Suzuka and throws in some short takes for good measure.

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PR: Pini to do Masque of the Red Death

I already mentioned this in my NYCC coverage, and in fact I interviewed Elfquest creator Wendy Pini about this new webcomic at Digital Strips. Pini is really re-imagining Poe’s classic story, setting it in the future and adding new characters and a BL storyline. And just the fact that Go!Comi is doing webcomics is news. Press release after the cut.

GO! COMI TO PUBLISH WENDY PINI’S “MASQUE OF THE RED DEATH”

Manga publisher Go! Comi has announced their first original series, “The Masque of the Red Death,” written and drawn by Wendy Pini. Ms. Pini is the creator of “ElfQuest,” one of the most popular and successful independent comics of all time. The announcement was made at New York Comic Con.

The story of a wealthy prince who hosts a decadent party in his palace while a plague ravages the world outside, “Masque of the Red Death” is a science-fictional retelling of the classic Edgar Allen Poe tale. Pini promises the story will be “a walk on the dark side,” featuring strong Gothic horror, erotica, and the kind of intense romantic relationships between men found in the Japanese manga genre known as yaoi.

Audry Taylor, Go! Comi’s Creative Director, believes that Pini’s work is a natural fit with the company’s Japanese manga lineup. “Wendy has been a manga fan since childhood. Manga has influenced every aspect of her work for over 30 years – not just her art style but the emotional depth of her stories. Now there’s a whole new generation of manga fans yearning for mature, sophisticated fare that is influenced by Japanese manga. It’s the perfect time for her to be stretching the boundaries of comics once again, just as she did 30 years ago.”

In turn, Pini says “I have watched Go! Comi grow from its embryonic stages so rapidly into the hottest new manga publisher on the scene, that it has taken my breath away. David Wise and Audry Taylor are not only my friends, they have demonstrated an understanding of manga and anime superior, in my opinion, to any publisher in the west. I am thrilled to be working with them on many levels, primarily because it’s so much fun, and because Go! Comi reminds me so much of Warp Graphics when Richard and I were just starting out.”

“Masque of the Red Death” will first appear as a web comic, and will then be published as a series of three graphic novels once a sufficient number of chapters has been completed. Go! Comi will host the web comic and publish the book editions.

ABOUT WENDY PINI: Wendy Pini is the creator of “ElfQuest,” one of the most popular and best-selling independent comics of all time, which celebrates its 30th anniversary next year. Together with her husband Richard Pini, who serves as co-writer and editor, she continues to create new ElfQuest material, most recently for DC Comics. Among her many side projects are a series of graphic novels based on the well-loved TV series “Beauty and the Beast.”

ABOUT GO! COMI: Upon the release of its first books in late 2005 Go! Comi immediately gained a reputation for the excellence of its manga series and top-notch production values. One year on, the company has a quarter of a million books in print and has seen second and third printings for its first 11 titles. Among its publications are Cantarella, After School Nightmare, and the best-selling Her Majesty’s Dog.

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PIKA: Light dawns on Marblehead

Pedro Bouca, who understands the French market better than I do, drops in at the Newsarama blog to explain the significance of Hachette’s purchase of the French manga publisher PIKA: It was the last large independent manga publisher left in France.

Pika was the third largest french manga publisher (the other two being Kana, a subsidiary of giant comics publisher Dargaud, and the manga division of Glénat), one of the few that still publish manga from the Big Three japanese publishers (Kodansha, Shueisha and Shogakukan, all currently very demanding of its international partners) and so a coveted prize.

All this is a bit like if Tokyopop and Viz were being bought out by Marvel and DC. Worrying, to say the least.

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