Just a few quick things…

OK, I couldn’t resist after I saw this: Pata looks at Del Rey’s Avril Lavigne manga and imagines where this trend is heading. Simon “NSFW” Jones and David Welsh also have comments.

At PWCW, Calvin Reid has a bit more on said Avril Lavigne manga. Also: a preview of the manwha A Kiss for My Prince and, on the front page, a review of the new Tokyopop title by Eric Wight, My Dead Girlfriend.

Meanwhile, Lyle weights in on manga vs. capes:

Manga hasn’t taken away any shelf space that rightfully belongs to DC or Marvel. Those two gave up that shelf space a long time ago. It’s going to take a major change in corporate cutlure — as well as an acknowlegement of their responsibility for their current position — for either publisher to become competitive with manga.

ANN has dates for volume 1’s of five new Del Rey series:

Alive – July 31
Dragon Eye – June 26
Make 5 Wishes – April 10
My Heavenly Hockey Club – May 29
Reformed – October 30

DMP has announced a new title: Heroes are Extinct.

OK, I’m off to buy presents and some nice steaks, the birthday dinner of choice!

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Meta: Site silliness

We just moved the site over to a bigger server (by “we,” I mean of course Mr. MangaBlog, my live-in tech consultant) and it will be a little wonky for the next few hours, until we get everything pointed in the right direction. We lost some comments from the post below, but I saved the e-mails and will restore them later. However, we unwisely decided to make this move on my daughter’s birthday, so the fixes may not go in until later tonight, as we have presents to buy and cake to eat. Until then, chat among yourselves.

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PR: Del Rey announces global manga

Below the cut is Del Rey’s full press release on their newly announced title, Make 5 Wishes, created in collaboration with Avril Lavigne. Here’s the cover and a sample spread. The comments section is open for your opinions!

DEL REY MANGA ACQUIRES ITS FIRST AMERICAN MANGA IN COLLABORATION WITH POP SUPERSTAR AVRIL LAVIGNE

NEW YORK, NY — January 30, 2007 — Del Rey Manga, an imprint of Random House Inc. and one of the premiere publishers of manga in the U.S., announced today the acquisition of MAKE 5 WISHES, created in collaboration with platinum-selling and Grammy Award-nominated recording artist Avril Lavigne.

Del Rey Manga will publish the first volume of MAKE 5 WISHES on April 10, 2007. Avril Lavigne’s new album The Best Damn Thing will release shortly after on April 17, 2007 from RCA Records. In volume one of MAKE 5 WISHES, introverted teenager Hana stumbles upon a website that will change her life forever. After a demon grants her a series of wishes that go bad, Hana meets her hero Avril Lavigne, who helps her find the courage to conquer her own personal demons once and for all. The concluding volume of MAKE 5 WISHES will release in July 2007. Both volumes will appear in full-color.

More than simply lending her talents to the creative process, multiple award-winning singer, songwriter, model, and actress Avril Lavigne also appears as a character in the manga. When asked what inspired her to be a part of this project, Avril Lavigne had this to say, “I know that many of my fans read manga, and I’m really excited to be involved in creating stories that I know they will enjoy.”

Acquiring editor Betsy Mitchell, Editor-in-Chief of Del Rey Books, said this about the enthusiasm surrounding MAKE 5 WISHES, “In the past few years, manga [the Japanese art form] has grown exponentially in the United States. For our very first original English-language manga, we’re very excited to be working with a person as versatile in her talent as Avril Lavigne.”

Del Rey Manga purchased world rights for the books in a deal brokered by Terry McBride, CEO of Nettwerk Management.

 

 

(click to enlarge)

ABOUT AVRIL LAVIGNE

AVRIL LAVIGNE was born in the small town of Napanee, Ontario, Canada, and stood out from the crowd at an early age. Her musical talents were noticeable by the age of two, and by the time she was in her early teens she was already writing songs and playing guitar. Singing in the church choir and local festivals allowed Lavigne to get her voice heard.

On a trip to New York at age 16, Lavigne was signed to Arista Records when she caught the attention of Antonio “LA” Reid. With her major label deal signed, Lavigne moved to New York City, but not long after moved on to Los Angeles to work on her record. By early 2002, her debut CD Let Go was released. With 15 million albums sold, 8 Grammy nominations and three #1 singles—”Sk8ter Boi,” “Complicated,” and “I’m With You”—Lavigne gave young women a defiant voice.

In 2004, Lavigne returned with Under My Skin. This time the Canadian chanteuse took charge of her creative direction and reflected a more introspective Avril. The album debuted at #1 on charts worldwide and delivered her fourth #1 single, “My Happy Ending.”

Twenty-six million albums later, and following numerous awards, multiple world tours, and myriad magazine covers and TV appearances, Lavigne is now finding time to concentrate on her other loves, acting and fashion.

THE CREATIVE TEAM

CAMILLA D’ERRICO: ARTIST

Camilla d’Errico is an artist whose first love is the manga form. Her work will be featured by the underwear and lingerie company Ginch Gonch in their AIDS Awareness promotion scheduled for Fall 2007. In addition to the Make 5 Wishes series, she will have three comics published in 2007: Burn, a traditional manga series published by Arcana Studios in Canada; Zevon-7, a four-part mini-series published by AngelGate Press; and Nightmares and Fairytales, by Slave Labour Graphics.

JOSHUA DYSART: WRITER

 

Joshua Dysart has written for Image, DC Comics, Vertigo, and Dark Horse, and wrote the comic book adaptation of the film Crouching Tiger, Hidden Dragon for Art Asylum. He has captured the notice of Mike Mignola, creator of Hellboy, and has been asked to help create the back-stories for Mignola’s rich and imaginative world. Joshua’s first Hellboy stories will be premiering next year from Dark Horse. In 2005 he came to the attention of legendary musician Neil Young, and the two began crafting a large work based on Mr. Young’s concept album Greendale. Greendale will be Joshua Dysart’s sixth graphic novel and/or collected work.

ABOUT DEL REY MANGA

Del Rey was founded in 1977 as a division of Ballantine Books under the guidance of the renowned Judy-Lynn del Rey and her husband, Lester del Rey. Del Rey publishes the best of modern fantasy, science fiction, alternate history and manga. Ballantine Books is an imprint of the Random House Publishing Group, which is a publishing group of Random House, Inc, the U.S. publishing company of Random House, the trade book publishing division of Bertelsmann AG, one of the world’s leading international media companies. In the summer of 2003, Random House joined together with Kodansha in a creative partnership to bring some of Kodansha’s top properties to the United States, making Random House the first major trade book publisher in the United States to do so.

ABOUT RCA MUSIC GROUP

The RCA Music Group includes J Records, Arista Records and RCA Records. The J Records roster is home to platinum superstars Alicia Keys, Rod Stewart, Pearl Jam, Annie Lennox, Luther Vandross, Jamie Foxx, Maroon5, Mario, Gavin DeGraw, Fantasia and Monica among others. The Arista Records family includes all-time superstars Sarah McLachlan, Santana, Dido, Aretha Franklin, Whitney Houston, Carrie Underwood, Barry Manilow and Kenny G. RCA Records is home to superstar artists Christina Aguilera, Dave Matthews Band, Foo Fighters, The Strokes, Velvet Revolver, Avril Lavigne, Daughtry, Clay Aiken, Kelly Clarkson, Heather Headley and more. RCA Music Group is part of Sony BMG Music Entertainment.

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From Avril to academia

Tokyopop blogger Andre has the scoop: Del Rey has two global titles in the works, The Reformed, by Christopher Hart, and Avril Lavigne’s Make 5 Wishes. Katherine Dacey-Tsuei has an early reaction at PopCultureShock.

David Welsh discusses the YALSA list and the Wal-Mart fiasco in his latest Flipped column and checks out this week’s comics at Precocious Curmudgeon.

Stephanie Foulse writes about Mechademia, the first academic journal of anime and manga, in her Tokyopop column. Elsewhere on the site, ChunHyang72 posts her weekly Tokyopop Round-Up of all the good stuff you might have missed. And she has posted her first top ten list, Ten Great Manwha.

Ed Chavez continues his 2006 Year in Review articles with a look at CMX.

Go!Comi has details up about their portfolio reviews at NYCC. Tina Anderson is not impressed.

A Japanese chain is planning on opening manga rental stores in Japan.

At Anime on DVD, Patricia Beard likes the vampire manga Sequence, but is unhappy that the series was not completed. Connie of Slightly Biased Manga checks out vol. 11 of Video Girl Ai and vol. 8 of Tsubasa. Active Anime’s Davey C. Jones reviews vol. 1 of Gacha Gacha: The Next Revolution and Christopher Seaman reads a new light novel, vol. 2 of Scrapped Princess. Lyle reviews The Gentlemen’s Alliance, a new series in Shojo Beat. Julie at Mangmaniaccafe gives a solid B to vol. 2 of After School Nightmare. Jog has a lengthy discussion of Mushishi. And there’s plenty of yuri goodness at Okazu, where Erica Friedman reviews vol. 7, part 2, of Yuri Hime.

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MangaBlogCast is up!

The latest MangaBlogCast is up at the MangaCast. After our holiday hiatus, Jack and I are switching to Mondays, and we’ll try to bring you a timelier and more varied podcast every week. Here are the links for this week’s show:

Wal-Mart pulls yaoi from its site,

Manga makes YALSA’s Great Graphic Novels for Teens list

Japanese manga editors chat about 2006

Go!Comi to go global?

Manga gain popularity in France
Sales report on French comics (in French)

ChunHyang72’s summary of the To Terra controversy

Incoming…

Kitchen Princess, vol. 1
Air Gear, vol. 3
Cromartie High School, vol. 9
Nodame Cantabile, vol. 8
Mushishi, vol. 1
Angel/dust, vol. 1

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Review: Blue is for Boys and Pink is for Girls,

Blue is for Boys
Pink is for Girls
By Various Artists
Sweatdrop Studios, $9.50

You can think of these two anthologies as the manga equivalent of practicing the scales. Each book has nine stories in different genres: romance, action, fantasy, music, horror, even a parody of fans. The hook here is that the stories in both books are based on the same concept, but Blue presents them as shounen manga while Pink is all about the shoujo.

The difference is more than just style: Most of the stories start the same in both books but wander off in different directions. Take the first story, about a student production of Romeo and Juliet in which the pushy female director is in love with the reluctant Romeo. In Emma Viceli’s shoujo version, “Give me my Romeo!” the two beautiful boys end up together. Sam Brown’s shounen “Alive in Triumph” quickly shifts to the story of a panty-flashin’ ass-kickin’ bad girl who takes down the boys and wanders off arm-in-arm with her best friend.

Sometimes the two books present two parts of the same story. The action in “Quest for Chenezzar,” in Blue, immediately precedes that in Pink’s “Return to Chenezzar.” The two episodes are drawn in strikingly different styles; Rik Nicol’s Blue version is dark and massive, relying on shading rather than line to define his bulky figures, while Sonia Leong’s art in Pink is light and romantic, closer to the Seven Seas style. As a result, the two episodes seem like completely different stories, rather than two chapters of the same work.

Similarly, the shoujo/shounen divide is obvious in the different takes on the inevitable classical music story. “Unmade Melody,” by Sarah Burgess, is shounen all the way, a battle for dominance that leaves one student deaf and the other remorseful. Morag Lewis’s “Unheard Harmony” is sweet, sweet shoujo, as a friendly and nonthreatening female classmate helps the deaf musician to play again. Both stories pay attention to emotion: In the shounen story, the main character resents Alastair, the musician, because his playing lacks feeling; in the shoujo story, Alastair is able to play with feeling because he finds someone to respond to his music. It’s actually a lot to pack into a small space, and Lewis in particular has a nice sense of pacing and paneling, but unfortunately her art is too stylized, and it’s not helped by poor reproduction that caused some of the hatching to fade.

Despite some weak spots, there’s a lot to like here. Both versions of “Two Halves,” a parody of clueless fandom, are funny in a good-humored way. Aleister Keiman’s “Brewing,” a wordless version of a couple eyeing each other across a coffee shop, made me laugh. Laura Watton’s “Steaming” is a much sexier version of the same story. And in this case, the Blue story has a female artist while the Pink story is by a male. Both books have plenty of creators of both genders; it’s the sensibility that counts.

Some of the stories fell a bit flat, but most are pretty solid, and the artists make good use of the storytelling conventions of manga. The art is much more uneven, which is not surprising given that most of the creators are not professional artists. While some, such as Hayden Scott-Baron, Sonia Leong, Vanessa Wells, and Niki Hunter, show considerable skill, some of the others could use more practice in drawing from life. Still, everyone here shows plenty of promise. All have a good sense of storytelling and pacing, and that’s where these books shine.

While both volumes are slim, at about 130 pages each, Sweatdrop has done a nice job with production. The attractive cover art plays on the boy-girl duality: the cover of Blue features a busty shounen girl holding a crystal ball with a boy’s face; the cover of Pink features that boy, shirt flapping in the breeze, holding a similar ball with the girl’s face. Each volume features an introduction by a serious manga scholar, Paul Gravett for Blue and Helen McCarthy for Pink. Creator bios in the back round out the books. The paper quality is good but the print quality varies, with lines fading away in some places and dark tones taking over in others.

Each of these books could stand pretty much on its own, but the really interesting part is comparing the two. After each story, I found myself reaching for the other book to see how another artist would handle it. The blue/pink concept could easily become hokey, but the Sweatdrop crew really understand what makes manga tick, and I was impressed with their creativity and imagination. For this group, playing the scales may be the first step on the way to Carnegie Hall.

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