Required reading

Running out of stuff to read? Shaenon Garrity has another Overlooked Manga Special Event, chock-full of meaty suggestions. And at Right Turn Only, Pata staggers away from 24-hour comics day with some hard-earned wisdom and a rundown on new titles, including the much-anticipated Welcome to the NHK. PopCultureShock likes volume 2 of The Drifting Classroom:

It’s the manga equivalent of a solid B-movie, with plenty of plot twists and visceral jolts, and a dash of social commentary for good measure.

Yes! And at MangaCast, Ed gives his take on Emma, Iron Wok Jan, and DVD.

At Deutsche Mangaka, Elae translates an article about German manga-ka from ZEIT online. This is interesting:

According to estimations, around 75-80% of the German language comic market consists of Japanese graphic novels.

Wow!

Green party: The Broccoli Books blog brings news of volume 5 of Kamui, which just arrived in the offices. Also, Broccoli has changed distributors, to Publisher’s Group West (PGW), which used to handle Viz. And they point out that Broccoli is number four in the new Google manga directory, behind Tokyopop, Viz, and Shogakukan. Is the air thinner up there? Also at the BroBlog, an update on the Yaoi-Con panel.

Speaking of Yaoi-Con, David Taylor has some late scheduling news.

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Review: Audition

Audition
By Kye Young Chon
Rated 16+ for Older Teens
DramaQueen, $11.99

When DramaQueen publisher Tran Nguyen gave me this book at MangaNEXT, she was very enthusiastic about Chon’s art, so I was looking forward to something fresh and different. My heart sank when I saw the premise of the story: In order to gain her inheritance, a woman has to find four young men, assemble them into a band, and win a challenging audition. Not only has it been done before, but you know how the story is going to end before it begins.

Fortunately, I kept reading, and I soon realized my initial dismay was premature. Yes, the story treads familiar ground, but Chon is a good storyteller with a light touch. The main character is Buok Pak, a young woman fresh out of school who has just opened her own detective agency. In a standard twist, her first client is her ex-best friend, current worst enemy, Myung-ja Song. Myung-ja’s father, a record mogul, has died, and she can’t inherit his fortune unless she finds four young men, whom her father saw once, and brings them together into a band that can win a special audition. Buok balks at the task and only relents when Myung-ja agrees to become her assistant. The two girls find the four boys with preposterous ease, but each of the future band members is caught up in his own life, and it’s not a given that any of them will actually attend the audition (except, of course, that there would be no book if they didn’t).

Chon’s style is very fashion-oriented, with stretched-out figures, detailed clothing, and lots and lots of hair, often arranged in a complicated manner even for minor characters. She switches to a quieter look, with softer figures and moody landscapes, for the flashbacks in which Mr. Song meets each of the boys, and these scenes are the best in the book.

DramaQueen takes pride in their high production quality, and they certainly have come through here. My one complaint would be the artist’s choice to use so many earth tones on the cover, which makes it look muddy. The book has a full dust jacket, well printed on glossy stock. Inside, eight color plates with pictures and descriptions of the four musicians give us a taste of the story to come. The paper has a pleasant creamy color and the print quality is nice and sharp. Chon uses a lot of varied tones that would have gotten lost with lesser-quality paper and printing. Extras include a pronunciation guide and translation notes, although there seems to be a line missing from the latter.

I know DramaQueen is excited about diversifying from yaoi to shoujo for older teens. Audition is a good start, with a story that promises to be complex and interesting, and good production values to keep the older readers happy.

This review is based on a complimentary copy supplied by the publisher.

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Power surge

ICv2’s ten most powerful list inspired David Welsh to come up with a list of the Ten Most Creatively Influential Manga Publishers. Notably absent from this list are the Big Two, Viz and Tokyopop, although ADV makes the cut. I seldom disagree with David—our tastes are remarkably similar—but I’d like to put in a good word for the creaking dinosaurs. Viz has demonstrated, with titles like Monster, Death Note, and The Drifting Classroom, that you can have adult manga that deliver good stories, not just swords and panty shots. Tokyopop is bringing over a lot of good manga that’s being ignored (Mitsukazu Mihara, anyone?) as well as growing their own. Without that initiative we wouldn’t have Off*Beat, Fool’s Gold, or The Dreaming, to mention only a few titles.

Don’t get me wrong, I love the boutique publishers. Nothing makes me happier than hearing that Go!Comi or Seven Seas or Del Rey is picking up another book. But the big guys have done their share as well. They just aren’t very good at marketing what they do, and both produce (let’s face it) a lot of unsophisticated manga to pay the rent.

So I’d toss out ADV (who seem to have thrown in the towel) and Drawn & Quarterly, who aren’t so much a manga publisher as a publisher who occasinally handles manga, and I’d throw Viz and Tokyopop a little love.

Always quick on the mark, Simon Jones at Icarus does a happy dance (Icarus is on the list) and adds

PreCur’s picks underscore something I feel will be of ever greater importance for new independent manga publishers in the future… specialization and clear editorial vision.

Now that, I agree with.

Meanwhile, The Beat picks up on the Top Ten list, and Number One himself drops in with a comment.

A few more quick notes: Yuri Monogatari 4 is available for pre-order.

DRMaster has signed video game designer Yasushi Suzuki to design a new manga.

Michelle Ramonetti of Anime on DVD reviews Petite Cossette and likes it better than I did.

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Retailer reacts to Viz snub; bloggers react to retailers’ snubs

This week, Viz sent around a press release saying that they had an “exclusive” arrangement with Borders, Waldenbooks, and Hot Topic to sell Bleach accessories—T-shirts, shoulder bags, that sort of thing. I’m going to quote Simon Jones on what happened next:

At ICv2, comic retailer Cashman’s responds to news of Viz’ mallrat-oriented exclusive promotions for Bleach with rancorous indignation and threats, which causes Journalista to furl an incredulous eyebrow and open a can of whoopass on the Johnny-come-lately DM and blame-everything-but-our-own-myopia retailers everywhere.

I just can’t compete with writing like that. Cigarette, anyone?

“Cashman” is John Cashman of Cashman’s Comics in Bay City, Michigan. Don’t stop in there for the latest volume of Eyeshield 21:

Thanks for nothing, Viz. I will encourage my patrons and libraries that I work with to buy more Tokyopop titles.

So Journalista’s Dirk Deppey headed off to Cashman’s website in search of that manga he supports and came up with nothing. He concluded:

From day one, the vast majority of comics shops in the Direct Market treated manga publishers the same way they’ve always treated any other publisher selling material not prominently featuring Batman and Wolverine: They either stocked a small representative selection or ignored said publisher completely. Viz is dealing with the retail outlets that made the manga industry what it is today, and the Direct Market isn’t it. For that matter, given the way most comics shops still serve as otaku repellent to this day, I doubt that Viz Media is exactly quaking in its collective corporate boots.

Johanna agrees with Dirk.

It’s worthwhile to note that there are comics retailers who take manga seriously and do a good job with it. Others are simply small stores with limited space who choose to specialize in a particular genre. Nothing wrong with that, but don’t expect special treatment. And it wouldn’t hurt to not make a new customer feel like a freak if she blunders in and asks for something outside the canon.

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Eye-openers

As predicted, the blogosphere is having a lot of fun with ICv2’s lists of the top ten most powerful people in manga publishing and top ten manga properties. At MangaCast, Ed Chavez looks at the list, compares it to last summer’s efforts, and calls for us to do one of our own. One of the people who voted on the list joins the discussion at the ANN forum. And the folks at June Manga are all excited that president and founder Hikaru Sasahara made the list.

BookListWatch: Vol. 11 of Naruto finally slips off the USA Today top 150 and Kingdom Hearts: Chain of Memories debuts at number 112.

Meanwhile, volume 2 of Dramacon starts its run at number 4 on the BookScan charts, according to Tokyopop blogger Andre, who picked that up from Peter Ahlstrom on the Pseudome forums. Congratulations Svetlana! I thought the first volume was one of the strongest titles in Tokyopop’s global line, and I’m looking forward to volume 2. Happily, Tokyopop’s online store is running a buy two get one free promotion this month. Can’t think of two other books? This would be a great time to try Afterlife risk-free—or volume 1 of The Dreaming, or Off*Beat, if you haven’t already.

Just one more day until Yaoi-Con, and excitement is running high. The folks at June manga will have copies of their November, December, and January releases at their booth, including two new series, Hero Heel and Princess Princess, and the infelicitously titled Only the Ring Finger Knows: The Ring Finger Falls Silent

At Sporadic Sequential, John Jakala updates his Dark Horse release dates chart, noting further slippage. John headlines the post “I need a new hobby,” but I’m thinking maybe he just needs some new series to read.

Here’s a little something to get him started: Google has a new manga directory. (Via MangaNews.)

Also from MangaNews (no permalink): Fruits Basket will finally be drawing to a close.

Vegetable love: MangaCast and ICv2 have info on Broccoli’s newest title, E’s.

Viz doesn’t usually run translation notes in its manga, but translator Tomo Kimura helps fill the void with her excellent blog, which often includes little tidbits about Japanese culture like this description of a Buddhist funeral. I subscribe to her RSS feed because she updates irregularly, but her comments are always worth reading.

MangaCast is giving away a copy of Reborn. All you have to do is tell them your dying wish! If that’s too much for you, Tokyopop is giving away ten signed copies of the light novel Magic Moon.

Newtype USA has a treat in store for its readers: a new manga, Once Upon a Glashma, by Kumiko Suekane, will debut in the November issue, replacing Angel/Dust neo. The Newtype blog describes the new manga as

a series that our female fans will especially appreciate since it’s got quite a bit of “guy candy.”

Mmm. Guy candy.

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New resource: Comipedia

ComiPedia is the brainchild of Shawn (Eclipse) of ComiPress fame. I just spent a little time wandering around the site, and it’s a very useful resource for anyone who is curious about Japanese manga magazines. The guide, which was compiled by a number of people over a period of time, gives basic information about each magazine: the publisher, price, release schedule, link to the website, and a cover scan. ComiPedia is searchable by title, publisher, or genre, and it includes light novel imprints, too. Ed Chavez wrote the introduction, and Shawn includes a timeline of the history of the project itself. It’s very nicely done and I highly recommend it.

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