Manga edits: an insider’s view

There’s a very civilized discussion on censorship going on on the Tokyopop message boards right now. I’ll link to the most recent page, in which someone complains that Viz edited a nipple out of Midori Days (which strikes me as sort of pointless, given the theme of that book). Novels editor Kara Stambach points out that most chain stores won’t carry a book that has a “mature” rating and suggests we look at the big picture:

Is censoring lame? Yes. Would missing out on a great book b/c of a nipple be worth it? Hm, not usually, in my opinion. Are the people at VIZ twirling their mustaches as they gleefully butcher out nipples in their books? I doubt it; they probably love their products as much as we do.

Her point is valid: Publishers have to be able to sell their books, and if a nipple is going to get in the way, it will have to be covered up. And she’s optimistic that someday they will be able to set aside the white-out and star stickers:

I believe someday we’ll get there. Someday the masses with conservative attitudes won’t get all up in arms b/c they’ll realize 1. comics aren’t just for kids 2. monkey-see, monkey-do works for monkeys, not rational human beings 3. exposure to art and ideas is everyone’s basic intellectual right and should be self-governed and 4. boobs never hurt anybody.

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Comments on comments

If you only read one comments thread today, let it be this one at Precocious Curmudgeon, wherein David Welsh re-captions the cover of Gerard & Jacques and solicits suggestions for manwha.

Tokyopop’s new site offers blogs to all comers, and it didn’t take long for teh stupid to arrive. An amazing number of people start up a blog and then announce in the very first post that they have nothing to say. (Not a problem around here, where we seldom run out of opinions.) Also, if you’ve been meaning to hook up your scanner and send in some fanart but haven’t gotten around to it yet, no need to do a special post just to tell us! We’ll wait! And yes, it is unethical to post other people’s art in the fanart section. But here’s my favorite so far:

Does anyone know what the fourms, in the corner of the page is for?

Well, whatever you do, don’t click on the link to find out!!

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Summer reading

The reading pile is getting high, so expect plenty of reviews in the next few days.

In the meantime, here is an interview with Peter Ahlstrom, who wears many hats at Tokyopop: he copyedits lots of books, handles the English adaptation of others, and acts as associate editor of Kingdom Hearts. The interview came out in May but is worth a read, especially if you’re curious about the machinery behind the scenes.

Wai Wai is like the Japanese equivalent of the Weekly World News, seldom reliable but always entertaining. This week they have a story about female otaku renting companions to talk to them about manga and anime. In the interest of research, the magazine hired one, but it didn’t quite work out the way they planned.

Tina Anderson lets the cat out of the bag to Love Manga: Drama Queen is planning an anthology of global Boys Love manga. Fortunately, DQ doesn’t seem to mind the free publicity.

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A little light reading

Comic-Con is over, and the manga industry has rolled over and is smoking a cigarette right now, so news is slim. There’s plenty of interesting reading on the web, though.

I just discovered Eastern Standard, which is a wiki run by Joe Iglesias and Andrew Cunningham, the translator of Boogiepop, and I can’t believe I’ve lived this long without it. Check out the profile of Kiyu, “the god of cancelled manga,” for some true weirdness. The site also features reviews of untranslated manga, for those who fear there are no new worlds to conquer.

JP Meyer asks international manga fans whether they seek out English-language manga. The responses, which come from all over the globe, are pretty interesting.

In his Flipped column, David Welsh looks at three comics from Seven Seas, which is starting to become a verrry interesting publisher.

Comics-and-More introduces a new feature: Manga Monday. They start out with a full slate of reviews of Domu: A Child’s Dream, Planetes, Nana, and more.

At Crocodile Caucus, Lyle also has a new feature: He’s going to review the manga preview chapters in Shojo Beat. He starts with Beauty Pop, and it already sounds like we have a winner.

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Review: Destiny’s Hand

Destiny’s Hand
Written by Nunzio DeFillipis and Christina Weir
Illustrated by Melvin Calingo
Seven Seas, $10.99

If you liked Pirates of the Caribbean, then Destiny’s Hand is the book for you, mate.

Seven Seas’ latest entry in the pirates category is done in the same spirit as the hit movie and has many of the same basic elements: feisty heroine, crafty pirate captain, plenty of action, and a light tone. And there’s magic, too. Captain Blaine and his pirate crew, who sail on the mysteriously unsinkable ship Destiny’s Hand, are gentleman pirates. They steal ship’s cargoes, but Blaine won’t injure innocent citizens or crews who surrender. In fact, after looting a ship, the pirates escort it to safety and even tell their captives pirate stories to while away the time.

The heroine and main character is one Olivia Soldana, the daughter of a greedy shipping magnate (is there any other kind?). As the book opens, 13-year-old Olivia is on her way to an arranged marriage, but fate intervenes when Captain Blaine and his pirates attack her ship. Her father, a venal sort, tells his captain to lower the flag and then fires on the pirate ship when it draws near. But Destiny’s Hand is unsinkable, and firing on the pirates just makes them mad. Captain Blaine is about to put Olivia’s father to the sword when she intervenes, duels the meanest, ugliest pirate of them all to spare her father’s life, and joins the pirate crew.

The book moves briskly through a series of battles and plot expositions that send our characters off on a quest for a mysterious prize. DeFillipis and Weir have mined the best parts of the pirate tradition for this story, but the book doesn’t feel stereotyped; rather, as in Pirates of the Caribbean, it tips a hat to the traditional tales and moves on into uncharted seas. Captain Blaine may go to the same hairstylist as Captain Jack Sparrow, but he’s a more solid and sympathetic character. Another sailor, Badru, turns the stereotype of the Caribbean native on its head; he’s as smart as the rest of them put together, but he’s willing to pass as a manservant if that suits his purposes. Only Olivia is predictable in her rebelliousness and her devotion to her father figure, Captain Blaine. But her character is fun to watch anyway.

Destiny’s Hand is Pirates Lite, a good summer read that never lets the bloody reality of historical pirates spoil the fun. It’s rated for teens, but I would happily give it to a younger child. For older readers, it offers enough plot and action that the pages will seem to turn by themselves.

(This review is based on a complimentary copy supplied by the publisher.)

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Sunday night links

Manganews has posted a handy list of all the new manga licenses announced at SDCC. And sister site ComiPress has additional details as well as links to interviews and other stories.

Love Manga interviews Tina Anderson and Caroline Monaco, whose BL manga Only Words is being published by Iris.

Seven Seas has a nice interview with Andrew Cunningham, the translator of Boogiepop.

The Japan Times notices Tokyopop’s involvement with the Los Angeles libraries’ summer reading program.

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