Viz takes ten

Here’s the Bookscan top ten graphic novels for the week ending May 28. Notice anything?

1. NARUTO, Volume 10
2. RUROUNI KENSHIN, Volume 27
3. NARUTO, Volume 9
4. BLEACH, Volume 13
5. FULLMETAL ALCHEMIST, Volume 7
6. NARUTO, Volume 1
7. NARUTO, Volume 8
8. NARUTO, Volume 2
9. DEATH NOTE, Volume 5
10. NARUTO, Volume 7

That’s right—all ten are Viz properties. Not bad. I’m not sure which amazes me more, the fact that Naruto gets more than half the slots or the fact that volume 27 of Rurouni Kenshin made number two. Now there’s a title with staying power! (Via Anime News Network.)

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The Dangers of Shoujo returns

Don’t miss the discussion going on right now on the Tokyopop Message Board about the effect of bad role models in shoujo manga. It began when someone posted the article The Dangers of Shoujo, from Sleep is for the Weak, which caused some controversy when it first appeared last summer. The thesis of the article was that overly submissive heroines in some shoujo manga are poor role models for girls, but I oversimplify vastly, and I encourage you to read the original article and check some of the original reactions at the bottom of the page.

Why revisit it? The discussion on the Tokyopop board is articulate and respectful, with people making good points on both sides. But even more important, as one of the original authors says, it’s important to discuss these things.

We believe that subtle, detrimental messages in media are usually completely harmless so long as said messages are discussed. Most people know, consciously, that a girl letting a boy knock her around is bad—but when that message is absorbed subconsciously, it may warp reader perception a little and/or act as reinforcement for low self-esteem or twisted ideals the reader is already struggling with. So when the themes of potentially “dangerous” shoujo are discussed and argued? Poof—from unconscious to conscious! And disaster is generally averted.

Sunshine is the best disinfectant, after all, and it’s also the best antidote to censorship.

These discussions always leave me with a nagging question, though: If everyone hates Hot Gimmick so much, why do so many people read it?

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Monday links

At Irresponsible Pictures, Pata handicaps the MangaCast awards.

Yaoi worth reading? Johanna, who admits she’s not a yaoi fan, samples the latest crop from DMP’s June imprint.

Nancy Drew #1: The Demon of River Heights took first place in the Graphic Novels category of the Franklin Awards for independent publishers.

The Star of Malaysia tells you everything you need to know about Fullmetal Alchemist. The main article is mostly about the anime and movie, but check the sidebars for fun facts about the manga as well. (Via Comics Reporter.)

For your reading pleasure, ComiPress translates an interview with golf manga-ka Seiichi Ikeuchi. You think golf manga is easy?

People who read golf magazines know the sport quite well. To put that into a manga, you have to include people’s emotions and personalities, while also expressing the drama and techniques. Also, if the pictures don’t show the true forms, it doesn’t seem real. The reader can see when “the golf in this manga is done correctly,” so you can’t draw haphazardly.

It’s like anything else, if you’re faking it, the audience will call you on it.

Also at ComiPress is the news that Tokyopop is expanding into Australia and New Zealand.

Beck creator Harold Sakuishi will be a guest at the AnimeNEXT convention in Secaucus, NJ.

At MangaCast, the Side Dish takes a look at soccer and manga.

Manga magazines get recycled in this photo taken in Shibuya Station.

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Biblos mags find new home

From the AoD Forums comes happy news for yaoi fans. From the Akadot newsletter:

Be-Boy GOLD
The magazines that had been on hiatus because of BIBLOS’ bankruptcy have found a new home! Their new publisher will be Libre Publishing. New issue will be released on June 28th.

From another poster, Aiia, comes the news that B-Boy Web is back up, although that will only be useful to those who read Japanese. I’m not there yet, but Aiia says that Hero Heel 2 will be out on July 10.

Old tankobon releases, BexBoy Gold and Shousetsu B-Boy will probably be added later.

It seems Zero Magazine and Junkboy didn’t make the transition since they’re not listed on the site, but I hope I can find more information about that. Maybe they’ll show up later.

The only thing that really stands out is that Yun Kouga’s upcoming chapter for her running manga is missing. Maybe she was one of those who switched to another magazine?

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Tokyopop’s November releases

Tokyopop has posted their list of November releases. Hat tip to the folks at the AoD Forums for spotting this and providing lots of opinions! Here’s the list:

· Priest Volume 15
· Last Fantasy Volume 3
· Devil May Cry Volume 2
· Neck and Neck Volume 6
· King of Hell Volume 14
· Remote Volume 10
· BLAME! Volume 6
· Gatcha Gacha Volume 3
· Off*Beat Volume 2
· ShutterBox Volume 4
· Atomic King Daidogan Volume 1
· Strawberry Marshmallow Volume 2
· Mark of the Succubus Volume 2
· Initial D Volume 24
· Satisfaction Guaranteed Volume 2
· Trinity Blood Volume 1
· Elemental Gelade Volume 2
· Recast Volume 1
· Immortal Rain Volume 7
· Le Portrait de Petite Cossette Volume 2
· Peppermint Volume 2
· Samurai Deeper Kyo Volume 20
· DearS Volume 8
· A Midnight Opera Volume 3
· Never Give Up Volume 3
· Kindaichi Case Files, The
· GetBackers Volume 16
· Kat & Mouse Volume 2
· One Volume 10
· Mobile Suit Gundam SEED X ASTRAY Volume 1
· Dreaming, The Volume 2
· Otogi Zoshi Volume 2
· DIE TODLICHE DOLIS
· Queen’s Volume 1
· iD_eNTITY Volume 8
· Redrum 327 Volume 2
· Telepathic Wanderers Volume 4
· MY-HiME Volume 1
· 12 Days
· Boys Be … Volume 11

New volumes of Off*Beat, Shutterbox, and The Dreaming will be greeted with joy in my house, but with regard to OEL manga, I am coming around to the point of view that a year is too long between volumes, especially for suspenseful titles. I say this having spent the weekend immersed in Death Note, happy in my ability to buy the first five volumes one right after the other. In comments to a previous post, JennyN brought to my attention an article that mentions a French artist who has hired assistants so she can do a 192-page book every three months. I think we need that here.

Lots of discussion about My-HiME on the AoD forum, with translator Jeremiah Bourque providing some useful commentary.

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Bloody pirates!

In fairly short order, Slashdot reported that the Swedish bittorrent tracker The Pirate Bay was shut down, The Pirate Bay was back up, and someone hacked the website of the Swedish police, which makes me wonder if Captain Jack Sparrow has gone digital.

Why do we care? The Pirate Bay is basically an index to files, including comics downloads, that are hosted on other sites. Here’s an explanation from its “About” page:

Only torrent files are saved at the server. That means no copyrighted and/or illegal material are stored by us. It is therefore not possible to hold the people behind The Pirate Bay responsible for the material that is being spread using the tracker. Any complaints from copyright and/or lobby organizations will be ridiculed and published at the site.

And they make for entertaining reading. The folks behind TPB are an anti-copyright group who have attracted some attention in Sweden, where the site is hosted. For them it’s a political issue. And comics are a small part of this game; it’s the MPAA that seems to be pushing a lot of the copyright enforcement lately.

The Los Angeles Times took a look at comics piracy lately, and although the story wasn’t about manga, many familiar arguments came up, with publishers saying their people needed to be paid and that illegal downloads threaten the smaller books, and fans saying they wanted to sample the goods before buying. It’s worth reading together with A. David Lewis’s post on the topic at Loose Pages, where he points out that he has little choice but to download if he wants to read a comic that is out of print. The TPB raid led to an increasingly technical discussion of comics downloads at The Engine.

One point being made at these venues is that the comics companies are missing out by not making comics available digitally. That depends on whether people are downloading comics for convenience or to get something for free. If it’s the latter, there’s not much anyone can do. If it’s the former, publishers might do well to offer the comic online for a small fee, a model that has worked for Netcomics in Korea and that they are trying here. Downloads are a riskier business, but the iTunes model suggests that people will pay a small fee to avoid the hassles of illegal downloads, and for out-of-print books the overhead would be low. Whether it catches on will depend on technology and on the ratio of cheapskates to true believers. But a cheap, convenient download would certainly cut into the pirates’ take, and that might be a more effective weapon than police raids. Aar.

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