FMA back on top 150

Vol. 7 of Fullmetal Alchemist is on the USA Today Top 150 books list for the second week in a row, slipping to number 139 after debuting last week at number 100. Death Note, number 126 last week, slipped off the list altogether.

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Birthday treats

Today is my birthday, and I got two great comics-related books as presents (with considerable hint-dropping). The first was The Tintin Companion, which shows panels from the Tintin comics alongside the photos that Herge used as his original sources. As he redrew many of the comics when they were printed in color, it’s also interesting to see how his style evolved. At thirty bucks, this book is a serious bargain and well worth the price for anyone who loves Tintin.

I have a special affection for Tintin not only because I read the comics as a kid but also because I lived in Geneva, which was one of Herge’s haunts. He stayed in the Hotel Cornavin, opposite the train station, and one of his books (The Calculus Affair, if memory serves) includes some beautiful renderings of Geneva. When we were there the hotel had some of Herge’s doodles on hotel stationery in the windows, and there was an almost-life-size Tintin dummy in the foyer. (The Swiss are funny because they can seem so stuffy, but they have this great sense of humor. Can you imagine a giant Archie doll in the foyer of any American hotel? No, I didn’t think so.) Anyway, when my older daughter was six months old she bore a striking resemblance to this effigy, and I have the side-by-side photos to prove it. This will prove excellent blackmail material in about three years, when she starts dating. (“Be home by 11, or I’m showing him the Tintin photos!!”)

The other book was The Walking Man, by Jiro Taniguchi. I’ve been wanting to read this ever since I heard Ed and Jarred discuss it on MangaCast, and I’m glad I was able to find it. (It was at my local Borders, but shelved with graphic novels, not manga.) At $16.99 it’s a little more expensive than your standard book but it’s so beautiful it’s worth it. There’s no plot, just a guy walking around Tokyo, looking at things. Really looking. The landscapes are beautifully rendered, mostly with detailed line work. It’s like a meditation in manga form, and because it’s divided into short chapters, I’m reading it a little at a time.

One weird thing about this book, though, is that it’s printed left to right. I’m so accustomed to reading unflipped manga now that even though I was turning the pages correctly, I was reading the panels in the wrong order; it took a few minutes to reorient myself. It was kind of funny to read Mitch’s comments on Tezuka’s Buddha after that, but I’m happy to say that Fanfare didn’t do any violence to the book when they flipped it.

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Meta: drying out, and slaying the giant spambots

A big chunk of my city is still underwater, but the sun came out this morning. Posting will be sporadic, as I’m working in the mayor’s office all week, answering phones and helping deal with the mess. The last time we had a flood like this, I was covering it for the newspaper, so it’s interesting to see it from the other side, especially as my job includes helping juggle the media, from NPR to my replacement at the local weekly.

Anyway, I’m not sure how obvious this is, but comments on this blog are moderated, sort of. If you are commenting for the first time, I have to approve you. After that, your comments get posted automatically. As our city hall doesn’t have wireless internet, and I don’t have any way to check this e-mail account via the web, new posters will have to be a bit patient. Sorry about that.

My hits have gone way up the past two months, and the amount of comment spam has risen accordingly. About 90 percent of it is for an old post called “Love Manga over and out,” and as it isn’t a particularly profound post, I may delete it or maybe even change the title.

Since the point of comment spam is to increase the spammer’s page rank on Google, I was thinking maybe we bloggers should get together and create our own web page, using all the spammer’s keywords—viagra, hoodia, etc.—and then have everyone link to it so we could boot the splogs off the front page of Google. The keywords wouldn’t be linked to anything, of course, except maybe articles about the folly of buying them over the web. My husband is skeptical, but I wonder if it would work. Just a thought. No charge.

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PR wars

A few days ago, Christopher Butcher at Comics.212.net posted a thoughtful reaction on manga-ka Mimei Sakamoto’s condemnation of otaku culture as (I’m oversimplifying here) pedophiliac and perverted. Sakamoto was particularly critical of fans of moe, which is the feeling of love and protectiveness, not necessarily sexual, that some fans get when looking at a picture of a cute little girl. (Here is an interesting discussion of moe, and as always Wikipedia has plenty to say.)

Back to the point. Chris illustrated his post with covers of two DMP books, Robot and Almost Crying. Yesterday, Rachel Livingston of DMP wrote to Chris, asking him to take down the covers and threatening to have the lawyers send a “cease and decease” (one hopes this is just a typo on someone’s part!) if he doesn’t comply.

Obviously you have never read Almost Crying. It is not shota and there are no sexual undertones expressed in the book. Almost Crying was actually reviewed in Publishers Weekly and touted for its cuteness! It would be nice if you would research your facts a little better before posting something so slanderous on the internet. Obviously you have never read any of DMP’s yaoi releases. All the characters in DMP’s yaoi manga are the age of consent or older. And all of our titles come with very conservative age ratings. I would also ask that you delete your explicit reference to DMP as the “only” publisher releasing hardcore titles that boarder on the objectionable. Obviously you know nothing about yaoi, it’s intended audience and any of the works that DMP publishes.

A couple of comments here. First of all, it’s libel, not slander. Secondly, while I understand Rachel’s concern that the books are being misrepresented (but wait!), it’s not necessary to insult the blogger. Anyone who reads Chris’s blog knows that he knows a lot about yaoi and about manga in general. Third, he wasn’t really dissing DMP, just saying that they were more daring than other manga publishers. And finally, here is what Chris said about DMP:

I’ve been waiting for publishers to try and sneak this stuff under the radar, and with many of DMP’s yaoi artists having MUCH more hardcore material available online just by typing their name into google, it looks like DMP are going to be the ones on the bleeding edge here.

Do you see the word “only” in there? Me either. So why is it in quotes in Rachel’s letter?

Oh, one more thing. The first lesson in PR school should be don’t send bloggers a nasty letter, because they will post it.

Chris responded this morning. Up till then, I had thought Rachel had a legitimate point—no one wants their book falsely depicted as shota (man-boy manga). But here is Chris’s response:

I did read Almost Crying before posting; It does have shota-con overtones; there are no undercurrents of sexuality because the sex is right there on the page, particularly the last story during which one character swallows another character’s semen and it reminds him of an incident in their past

OK, then! I haven’t read the book, and I don’t plan to in the near future, but it seems like Chris at least has a plausible argument here. (For the record, DMP claims all its characters are above the age of consent.)

Chris ends on a positive note, pointing out that his comics store sells, and he reads and highly recommends, a lot of DMP titles. I myself like DMP books, and I’m happy that they’re taking a bit of a risk in bringing over some yaoi titles. (Shota I’m not so sure about, but I’m completely unfamiliar with the genre so I won’t comment on that.) Anyway, DMP is bound to face some backlash, but they were too quick off the mark on this one, and may have alienated a potential supporter. Which would be a shame.

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News flash: VIZ opposes piracy

Yes, it’s true: Active Anime interviews VIZ Media PR director Evelyn Dubocq and learns that pirated anime and manga are bad for business, and that’s bad for fans:

If anime piracy continues to grow in North America, at the expense of legitimate product, then studios will be forced to increase prices and/or slow down the number of anime releases, to compensate for lost sales. For some of the less popular, but critically acclaimed anime series, this could mean that new seasons would never be officially released here. Similar, new anime properties may never even make the leap from Japan to North America.

Ultimately, if piracy continues to extend to a greater scale and sales of legitimate anime DVDs in the US fall as a result, there could be less anime produced in Japan.

For those who think they are doing the companies a favor by creating an advance market, Dubocq has a bucket of cold water:

ACTIVE ANIME:
Does VIZ uses bittorrent or similar data at all when deciding which series to license?

EVELYN DUBOCQ: NO

And what about fans who say scanlations are better translations?

This is just another form of piracy.

Dubocq is toeing the company line here, and certainly legally and morally she is right: Piracy takes money out of the pockets of creators and publishers, and although I’m inclined to be less sympathetic to middlemen, they do us a service by bringing the books over (and taking some risks in the process).

The thing that makes me hang back a bit on condemning scanlators is that most of them seem to be operating for love, not money. It’s much easier to condemn someone who copies DVDs of crappy Hollywood movies and sells them out of the trunk of a car than someone who loves a manga or anime so much that he or she learns Japanese and translates it, especially when the work is not otherwise available in English. There is a scanlator’s code of ethics that says not to post licensed properties, and I can certainly endorse that, but being able to look at scanlations of something that’s only available in Japan is one of the things that makes the internet interesting.

But that’s the reader’s point of view. As a writer, I keep coming back to the interview ComiPress posted with manga-ka Leiji Matsumoto about the impact piracy has had on him.

Good work has a purpose and objective to it, a reason “why” it was made. The creator is the one sending that message; that’s why we need a system in place that rewards the creator. Because he or she is the only person in the world who can create that work.

Matsumoto also talks about how he doesn’t like seeing his work taken out of context, which I can understand. It’s an interview worth rereading, if only so scanlators can see how the apparently harmless actions of one person, multiplied by the thousands, can have a bigger impact than anyone intended.

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This week's titles

From ComicList, here’s what to expect in comic book stores this week:

ANIME WORKS PUBLICATIONS
Baron Gong Battle Vol 5, $9.99
DARK HORSE COMICS
Blade Of The Immortal #113, $2.95
Whats Michael Vol 8 Show Time, $8.95

DC (CMX)
Devil Does Exist Vol 6, $9.99
Gals Vol 6, $9.99

SEVEN SEAS ENTERTAINMENT LLC
Amazing Agent Luna Vol 3, $10.99

VIZ MEDIA LLC
Case Closed Vol 11, $9.99
Fullmetal Alchemist Vol 7, $9.99
Kekkaishi Vol 5, $9.99
Mar Vol 7, $7.99
Read Or Die Vol 2, $9.99

WIZARD ENTERTAINMENT
Wizard Anime Insider Manga Month Cvr #33, $5.99

Kind of a lean week.

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